DMEC

Life it’s weird. Almost one month after the DMEC LA trek I’m writing this blog from LA itself.

The city of entertainment had the honor of receiving 21 MBA students (between 1st and years plus EWMBAs) between February 26th and 27th. We visited studios, digital media marketeers and record labels. An perfect mix of the entertainment industry for us.

A classical image from Warner Bros. Studios

Guided by our dear VP of careers Della Huff we started our trek in Warner Bros. at Burbank on Thursday morning. Half of the trekkers were traveling packed in a massive white van driven by Della herself. Once in WB we got some insights about the similarities and differences in career paths for MBAs in a major studio. Differently from what most people think, studios, film and TV are businesses after all. All the executives we spoke with ended up there without suspecting that they would. After an amazing studio tour with Della as our guide that included the theater where employees see exclusive premieres, an outdoor studio that resembles a city downtown and even a jungle, we enjoyed lunch in the cafeteria and drank some coffee at Central Perk. We stopped by Ellen’s parking spot and got some stuff from the WB store. Nice!

Later that day we headed to Universal City, headquarters of the newly acquired by Comcast NBC Universal. There we also talked whit three executives about their experiences in such an especial industry and with all the challenges they are facing with the Comcast deal. They put especial interest in the distribution and online challenges of films and TV in the future. Trekkers were truly interested in this subject.

We finished that day in a happy hour with Haas alumni at “Cat and Fiddle” in the middle of Sunset Blvd. Later we ended at Roscoe’s

Trekkers at Roescoe's: Waffles and Chicken

where I had by first (and probably last time) waffles and chicken (?). Bottom line, he had a great time and we have arrived to LA less than 24 hours ago. Good start. All to bed and get some rest for next day.

Friday morning was really cool. We visited Digisynd where Haas MBA alum Steve Felter is the COO. They received us incredibly: a tour showing us all the cool stuff that a multi-tiered digital studio has like high tech cameras, props, studios, etc. We had an amazing presentation with Steve about careers in entertainment followed by a talk with Digisynd’s president Rob Maigret. We even got a demonstration on how visual effects and green background work! We also learned how powerful

Steve Felter during his presentation at Digisynd

social media marketing is in conjunction with creating exclusive content. Recently purchased by Disney, Digisynd is in charge of managing and analyzing results for all of Disney’s social media pages and interactions. Check out their site and you’ll see why they are so cool.

In the afternoon an interesting a cool finish: Universal Music Group at Santa Monica. For those of you who don;t know UMG is the biggest record label in the music industry. Artists like Lady Gaga and The Who are part of their catalog. There we met with the eLabs team. They are in charge of all the digital distribution strategy of UMG (which actually is working: almost 9% increase of digital sales on 2009. Not bad for a “dying industry” isn’t it?). All trekkers were really interested during UMG executives presentations since who’s not a music consumer? Some really interesting ideas popped out in that conversations.

The trek was approaching it’s end ans I was already sad. 48 hours were not enough to get to know my classmates better (1st and 2nd

The Van on its way to Digisynd

years) and get soaked with some entertainment knowledge but it had to end at some point.

We headed to a bar in Santa Monica where we had beer and appetizers toasting for the amazing trek that was ending. We learned, we networked creating opportunities for future internships or full time jobs and, most important, we had a really good time!

I want to thank Della and all the DMEC leadership who made this 2010 Annual LA trek possible. It went smoothly, we represented Haas well and it was a great opportunity for mixing our career search and learning process in entertainment with DMEC’s social activities.

Great work guys!!!

Miguel Martinez / TV and Music Expert – DMEC

Cross posted on Miguel’s Blog

Perhaps a heavy statement, but with Sundance behind us, many of us opted (mostly from lack of funds) to instead follow the festival via Twitter or other online sources.  The availability of previews, reviews and in some cases, entire films, make for an easy pseudo-Sundance Film Festival experience right from your couch!

The NY Times provides a great article detailing some strategies that film makers took this year to make the rapid online availability work to their advantage as well as thoughts from festival organizers, such as Robert Redford, on decreased attendance. 

I don’t know about everyone else, but as much as I enjoy readily available content online in the comfort of my own home, there is nothing quite like the idea of throwing on your puffy coat and snow boots, attending screenings introduced by the film makers and actors, and successfully talking your way into one of the many exclusive parties…

Since we started our Haas business school experience we dare to say that the 5th San Francisco Music and Technology Summit last week is the best experience we had so far. Why? Simply because it has absolutely everything we love: music, entertainment, entrepreneurship, music legends, independent musicians and much more.

Our ambassadors having a good time at the sfmusictech mixer

We, Jason Dolan, Adithya Jayachandran and Miguel Martinez went to the event in the Hotel Kabuki at SanFran as Haas and DMEC ambassadors. As soon as we arrived we felt that warmth and cool vibe of the music industry mixed with the dynamics of technology and entrepreneurship.

Brian Zisk and his production team pulled together an amazing event with high quality panelists and public.

The keynote of the day was the presentation of the just released Google Music, a music discovery helper. It’s a search feature of Google which allow users to access songs, videos or lyrics directly with a simple search input like a band’s name, lyrics or any other info that relates to what you are looking for. The content is provided by different partners that where present in that keynote such as My Space, Gracenote, Pandora and You Tube (it’s really cool. Check it out!). One phrase that caught our attention in this panel were the words of RJ Pittman, Google’s Director of Product Management: “in Google our most important metric is ‘customer happiness’ “. This is the reason why they are doing this. Besides, we think is the least invasive way to enter into the music market. Interesting.

The audience during one of the many panels of the day

One of the main discussions among the public was that if this was another way to get free music easier, but the consensus was the benefits are greater than the costs, especially because the search considers a few protections such as only reproducing a song once between a given period of time.

Other important topic that was present across almost every panel was how bands use My Space these days. The previous consensus was that My Space is basically dead when it comes to promoting a band. But the new partnership with Google Music ignited the idea that updating and using a My Space site would be again a useful tool for band promotion. Although the idea is consistent, all panelists agreed that if a band’s website appears below a band’s My Space site, they are doing something wrong.

A third interesting discussion was generated in the live events panel with members like Zack Darling, organizer of Burning Man. While the panel was having a discussion about the use of mobile devices in concerts by the audience to influence the performance, interact with the musicians and to inform friends and other people what is happening trough tools such as Twitter and Facebook, they also debated about the problems with coverage from mobile carriers. Obviously, there are economic and technical issues with increasing bandwidth and coverage for specific events or locations, but this tendency is seen as a potential for future massive use. Still, question remains unanswered.

One of the panels during the summit

Finally we just want to mention that being in the Producing and Mastering panel was simply amazing. Legends that worked with artists like Santana, the Death Kennedys, Neil Young and Janis Joplin were in it. Even though it was a technical conversation, some really interesting insights were discussed. For example the historical shift between pro audio and home studios because of technology. This new way of doing things is here to stay. At the same side, avoiding the classic mentoring/teaching system will mean the end of some of the greatest techniques in the music industry. Efforts like educational interactive material could somehow diminish this problem and there are current efforts in that direction.

You can listen to all the panels in the summit’s website.

Stephan Jenkins, Third Eye Blind 3eb! / True Meaning

The last speaker of the day was Stephen Jenkins, musician from Third Eye Blind, who was also present in the last summit in May of 2009. He talked (a better description would be tried to talk) about the latest release of his band, which was made without any major label behind it using all the technology available nowadays. He also commented on his charity project, true meaning.

The day ended with the cocktail party where we all relaxed and had a few drinks in honor of DMEC and the opportunity of being there. At the end of this blog you’ll a find a few photos that illustrate the good time we had.

For the end and according to us, the best quotes from all the panels:

1. “You’ve got 7 seconds to impress your audience” – Jay Frank

2. “Music consumption is higher than ever” – Jeff Sass

3. “What is popular enough? – not having a day job” – The ‘Getting to Popular’ Panel

4. “Every piece of content is abstracted and available via API” – Lee Martin

5. “Gone are the days you are going to build something and figure out how to monetize later” – Mark Sugarman

6. To musicians: “Get your own URL” – The ‘Social Networking: The Future For Musicians’ Panel

7. “Play live. Meet people. Make direct connections.” – Stephan Jenkins

8. “Pro tools killed big studios” – Ken Walden

9. “Greatest marketing tool: live show” – Zoe Keating

10. “Life is too short not to pursue what you are passionate about” – Jeff Yasuda

We are just looking forward for the next summit! We’ll surely be there.

Jason, Adithya and Miguel, Music Industry Experts of DMEC

Cross posted on Miguel’s Blog

Summit featured on NBC Bay Area News 12/7/09

There’s no question about it, those of us in DMEC are social media fanatics. We blog, we tweet, we post videos to YouTube, we collaborate on wikis, we share every bit of minutiae about our lives on Facebook and other social networking sites.

So why has this blog not been updated for so long?

Frankly, as much as we love social media, it’s hard to keep up! We’re inundated these days with so many outlets to express ourselves, and it seems as if every club, class, organization, employer, or other group of people with even the slightest connection wants to go online in a social way. (How many blogs have you been invited into?)

And that’s a good thing. The more we connect, share, and collaborate as a society — a global society — the more we understand each other and the more progress we can make together. We just need to find time for it!

Or, as The New York Times reports, we can just find someone else with the time to do it for us:

Britney Spears recently advertised for someone to help, among other things, create content for Twitter and Facebook. Kanye West recently told New York magazine that he has hired two people to update his blog. “It’s just like how a designer would work,” he said.

It is not only celebrities who are forced to look to a team to produce real-time commentary on daily activities; politicians like Ron Paul have assigned staff members to create Twitter posts and Facebook personas. Candidate Barack Obama, as well as President Obama, has a social-networking team to keep his Twitter feed tweeting.

The famous, of course, have turned to ghostwriters for autobiographies and other acts of self-aggrandizement. But the idea of having someone else write continual updates of one’s daily life seems slightly absurd.

Ah, outsourcing one’s online social life — now why didn’t I think of that?!

Dear DMEC Friends and Colleagues,

Happy New Year! With the birth of 2008 comes the birth of IndieGoGo. Eric Schell and I (DMEC’s 2007 Co-Mavens of Film and co-founders of IndieGoGo) invite you to join IndieGoGo’s vibrant community of filmmakers and fans.

IndieGoGo is an online social marketplace connecting filmmakers and fans to make independent film happen. The platform provides filmmakers the tools for project funding, recruiting, and promotion, while enabling the audience to discover and connect directly with filmmakers and the causes they support.

On IndieGoGo, filmmakers can raise money and awareness, find cast and crew, and gain credibility through the help of their number one resource, the fans.

Fans get the opportunity to discover and impact the films of tomorrow, while getting insider access and VIP perks for their support. It’s easy and fun!

Filmmakers who have already joined IndieGoGo include Irena Salina (“FLOW: For Love of Water,” 2008 Sundance selection), M dot Strange (“We Are the Strange,” 2007 Sundance selection), Christopher Roberts (“The Believer,” 2001 Sundance Grand Jury Prize Winner), and Michealene Cristini Risley (“Tapestries of Hope;” Huffington Post Blogger).

If you would like to learn more about what’s possible, just follow the 3 steps outlined below. The more you take action, the cooler IndieGoGo becomes for everyone.

Enjoy making independent happen!

Best,
Danae Ringelmann & The IndieGoGo Team

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SIGN-UP:

• Go to www.indiegogo.com
• Sign-up for IndieGoGo by clicking on the Sign-up link in the Short Cuts window on the right side.
• Confirm registration via email and start exploring!

DISCOVER & PERSONALIZE:

• Click Around: Familiarize yourself. Read the “FAQs” and “How It Works” if you’re curious.
• Discover: Check out the Projects listing, People listing, Resource listing and MyGoGo pages. Click into Project & People profiles. Toggle through the Info, Media, Q&A, Team & Private sections. Watch videos, click on links, and have fun exploring! Check out the Take Action icons on the left.
• Create Personal Profile: Click on your Profile in the Short Cuts box and add some personal flavor. Include a cool pic & bio. Showcase your interests and tastes as a fan.

TAKE ACTION! (actions embedded in each profile on the left)

• PROMOTE projects you like (grab the widgets and stick them in your blog or websites).
• ENDORSE projects and people you like.
• RATE projects and people based on the different criteria.
• FUND the projects you would like to see made. Every little bit counts.
• BECOME A FRIEND of projects and people to gain insider access.
• COMMENT ON projects and people in their profiles. Ask questions. Do shout outs! Open up conversations with other filmmakers and fans.
• WATCHLIST: If you’re not ready to endorse or rate a project add them to your watchlist and follow their progress. Revisit your Watchlist on your MyGoGo page.
• GET VIP PERKS: Filmmakers decide what perks to offer their contributors. VIP Perks could include a credit in the film, an invite to a cast party or even a character named after you!
• CREATE PROJECT PROFILE: If you’re a filmmaker (or would like to be), create a project profile and use IndieGoGo’s platform to help bring it to life.
• SUBMIT FEEDBACK: If you have any problems or suggestions, please let us know by clicking Feedback or via email. We’re not perfect; help us get there!

Have fun making independent happen!